Monthly Archives: May 2014

On the Road with Lolita and Humbert Humbert: A Public Literary Role-Play on Twitter

The most notorious road trip in American literature, live on Twitter next week!

24 hours only: THURSDAY, JUNE 5, 2014 (anywhere in the world)

Follow @LolitaRoadtrip, use hashtag #lolitatrip on Twitter to find and play with us!lolita2

Join our Stanford University Literature and Transgression class as we take to the road with two of American literature’s most famous characters, Lolita and Humbert Humbert. Follow and interact with them as they travel through America, meet many strange and interesting characters (some of whom may be on the run themselves), and stop at notorious sights and watering holes along the way. Embody your favorite character from Nabokov’s novel or tweet as an author or character of other scandalous literary works or films (road movies!), popular culture or history, or make up memorable characters of your own.

Make sure you include your character’s name at the start of each of your tweets so we know who “you” are. Feel free to switch your persona, include links and visuals, be creative and engage others directly. Make sure you include that hashtag, #lolitatrip, so we see your tweet!

Sample tweets:

  • LOLITA: Daddy-O is getting on my nerves again about enchanted hunters and stuff. I’d rather hunt for cute clothes. #lolitatrip
  • MOTEL OWNER: Why did they not ask for a rollaway? Better keep my eyes on this guy. #lolitatrip
  • EMMA BOVARY to Lolita: I know of a really lovely county fair nearby. Worth a stop! #lolitatrip
  • Milton’s SATAN: Getting ready for you any day now, Humb. Hear you’re a smooth talker like myself. Enjoy that evil #lolitatrip while it lasts!
  • HAROLD (from Harold and Maude): You’re so young. Not my thing. #lolitatrip
  • RYAN GOSLING: Hey girl, look here … #lolitatrip

More details:

Lolita is a 14-year-old, fully social-media-savvy teenager. She has a smartphone, secret thoughts and agenda, and lots of contact with other people as she travels with Humbert Humbert. She visits internet cafes, chat rooms, may sometimes even “borrow” strangers’ phones. She loves comics, fashion, pop culture, so she often also posts visuals or links to stuff she likes. Humbert Humbert is a true technophobe, so he mostly has no clue about Lolita’s electronic life as they travel–which may be one reason why he truly doesn’t know her. Through the Twitter role-play, we get a privileged insight into Lolita’s character and thoughts via her tweets, instant messages, and postings. Don’t forget that she may also be into emoticons …

You can invent new characters or expand existing ones in Nabokov’s novel, even dead ones ( e.g. Charlotte Haze, a brawny mechanic who talks to Lolita at a gas station, hotel chambermaid who makes up HH’s and Lolita’s room, a former student of HH’s, someone at a restaurant who looks at Lolita and HH and wonders what they are doing, etc.) Is anybody back home wondering about Lo and her stepfather? Had she confided in any friends at school or camp? Are any friends, moms or teachers suspicious or worried? What’s happening to the Hazes’ empty house?

Other characters, authors from literary texts, or authors or ideas from theoretical texts about transgression also tweet. E.g., what commentary or advice would Madame Bovary, Bataille, Madame Edwarda, Herod, Satan, or Sam Delany have for Humbert Humbert or Lolita? How would “the Limit” tweet? What would “Transgression” say? How would “Carnival” chime in? etc.

Suggestions for intertextual tweeting:

Some transgressive works that our Stanford class has read and discussed as a class this quarter (besides Lolita) and that may enter our mix of tweets include the following–but feel free to add your own books, movies, or favorite authors to our transgressive road trip!

  • Ibsen’s Ghosts
  • Flaubert’s Madame Bovary
  • Blake’s Marriage of Heaven and Hell
  • Milton’s Paradise Lost (Satan passages)
  • Wilde’s Salome
  • Bataille’s Madame Edwarda
  • Excerpts from Joyce’s Ulysses, Samuel Delany’s Hogg, Kathy Acker’s Empire of the Senseless
  • Alison Bechdel’s Fun Home
  • Marinetti’s Futurist Manifesto (and Valentine de Saint-Point’s Futurist-Feminist response)
  • Ionesco’s The Chairs
  • Allen Ginsberg’s “Howl”

For information about previous literary Twitter role-plays about Oscar Wilde’s The Picture of Dorian Gray and a Decadent Twitter Soiree, please click here and here.

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Filed under Digital pedagogy examples, Gender and Sexuality Studies, Literature musings, Twitter role-plays

Exploring New Boundaries in Gender and Sexuality Studies

boundary 2

Petra Dierkes-Thrun commits The b2 Review to a focus on Gender & Sexuality

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It is with great pleasure that I have agreed to join the collective as an advisory editor to launch a new online initiative for Gender and Sexuality Studies for The b2 Review. While boundary 2 has a longstanding interest in the best scholarly work of any kind, it is both fitting and necessary that gender and sexuality become a more obvious area of interest for the journal’s intellectual inquiry. The new Gender and Sexuality section aims to provide a flexible and mobile platform for the discussion of important new work both in feminist and LGBTQ studies. We will publish brief essays on current trends or events, interviews, and reviews of interesting books and other projects (including digital ones), keeping in mind boundary 2’s commitment to identifying and pinpointing important contemporary intellectual, conceptual and performative…

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Filed under Gender and Sexuality Studies